May term: Film Writing Workshop

Class and work Schedule

Dr. Meehan

 

Web resources:

Screenwriting resources from google: http://directory.google.com/Top/Arts/Writers_Resources/Screenwriting/

Hypertext book: scriptwriting secrets

http://www.scriptwritingsecrets.com/contents.htm

list of scripts available

http://www.angelfire.com/movies/coolscreenwriter/screenplays.html

simply scripts: resource for scripts and treaments, including treatment for star wars, and unproduced scripts

http://www.simplyscripts.com/treatments.html

 

 

Link to nicenet.org--where you will post your work and respond to others:

http://nicenet.org/

 

 

 

Week One: Ideas and Story

 

May 15: Introduction

Workshop: starting notebook, ideas from and for film

Homework (HW): list of one sentence film ideas; read pages 1-12

 

May 16: Ideas

Reading: chapter 2

Workshop: film genres

 

HW: read chapter 3; continue to brainstorm story sentences

 

May 17: Ideas

Reading in class: chapter 4

Workshop: ideas from fairytales and other triggers

 

[migrant mother photo--or others:

http://www.masters-of-photography.com/L/lange/lange_migrant_mother.html]

 

HW: decide upon 2 or 3 leading film story ideas

 

May 18: Traditional Structure

Reading: p. 39-50

Workshop: hypothetical structure (p. 45 as model)

Film reading: Thelma and Louise  [map out its structure]    Thelma and Louise script

HW: continue with hypothetical structure for your story idea

 

May 19: Setup

Reading: p. 51-55

Workshop: develop story sentence; begin to sketch treatment

Film reading: continue Thelma

Due at end of class: your story sentence

Evening: see film downtown ?

 

Week Two: Setup and Structure

 

May 22: Action and Relationship Lines

Reading: p. 56-60

Workshop: develop action/relationship lines; focus on the set-up of Act 1

 

HW: your treatment in progress; experiment with a scene from opening sequence

 

May 23: Character: Protagonist/Antagonist

Reading: p. 60-71

Workshop: character chart/biography

                                                                 Dead Poets' Society script

HW: work on characters

 

May 24: Turning Points

Reading: 74-80

Workshop: 1st and 2nd act turning points; notecards for Act 1

 

HW: work on turning points

 

May 25: 3 Act Structure

Reading: 81-88

Workshop: 4 page treament/3 act structure; notecards for Act 2?

Film reading:

HW: post your 9 point plan/treatment

 

May 26: Structure: 9 point plan

Reading: 100-104

Workshop: 9 point plan/treatment

Film reading:

HW: clarify/revise structure as needed; work on opening sequence

 

Week Three: Presentation

 

May 29: Memorial Day; no class meeting: workshop with peer

 

May 30: Flashback Narrative

Reading: chapter 7

Workshop: experiment with flashback; work in progress: workshop your opening sequence (1st 10 pages)

Film reading: The Usual Suspects

 

May 31: Tandem Narrative

Reading: chapter 11, focusing on Pulp Fiction

Workshop: experiment with tandem; work in progress

Film reading: cont. Usual Suspects and/or Pulp Fiction

 

June 1

Workshop: final workshop

Film: Usual Suspects or Pulp

 

June 2

Final presentation: pitch